♥ Exclusive Pullout: DAYS' Knights!
The Knights Of "DAYS" - Lord Roman, The Sheriff Of Salemtown, Prince Michael Of Mirth, Heir Of Horton, Royal Jester Black Jack, The Dark Knight Master Marcus Of Hunter, Sorcerer Extraordinaire...
The days and knights of Camelot are gone, but chivalry still carries on. They're like princes, these players, our daytime soothsayers, and they hereby pledge their best, the knights of "DAYS" are unlike all the rest. - AJW.
Hear Ye, Hear Ye...Not all the heroic and gallant Knights of the "DAYS" Round Table have been included in this special section. However, watch for future issues of SOAP OPERA UPDATE, where we promise to feature them all!
Lord Roman, The Sheriff Of Salemtown Is Portrayed By Drake Hogestyn...
If it's the bottom of the ninth and the bases are loaded, two outs and the home team is down by three runs, who would you want to come up to the plate to hit the ball over the fence, to win the game for the team? In Salem, the clutch hitter, the team player par excellence, is Drake Hogestyn. This metaphoric reference should come as no surprise to anyone who knows anything about the former Yankee minor leaguer, who now reigns as one of daytime's brightest stars on DAYS OF OUR LIVES. He is as proud of being a professional actor as he is of his time in professional sports. He's a man who has made the most of what he has, and one who takes a good deal of pride and pleasure in his work. "I have a good time. I don't take too many things too seriously," he tells me as we stand on the deck of the ocean liner, Amerikanis, on a soap cruise to nowhere.
Sponsored by Coast to Coast Productions, it is yet another public appearance for Hogestyn, who is quickly earning a reputation as one of the most dedicated and giving soap performers on the public appearance circuit. After this interview was completed, Drake met with fans from eight until midnight, signing autographs and taking pictures, not leaving until everyone had had their chance to meet with him.
As the breeze whips around us and the sun sets lazily behind him, framing his handsome profile with some of nature's softest and most gentle lines of color, Drake tells me more about his on-the-set attitude toward work. "I laugh at myself a lot, which is real important, and I think it's a throwback to when I played professional sports. I always kept the locker-room very light. I didn't let the seriousness of each game - which was your career, your life in professional sports - outweigh the fact that it was just a game," or in this case, just a television show.
However, don't get the wrong impression. Drake Hogestyn approaches every day of DAYS with a fervor and intensity that imbues each sequence, scene and moment of his storyline. When pressed to explain his acting method, the Hogestyn eyes narrow slightly, and the lips curl in a thoughtful smile. "I pick up a scene, figure what the objective of the scene is, what I want people to think about after a three or five minute scene, what are they gonna get out of it, and I use that as my through-line and I try and work for that point of view." He stops for a moment, dramatically prefacing his explanation with a pause. "I look at each scene as being a dance between you and your scene partner, none of this upstaging bullsh##. It's a dance, and you give and you take, and you work towards that point of view, and that's why they give us a lot of time to rehearse, and we have a lot of actors on the show that are very giving of their time, and that's why we have a very successful show."
The continuing success of DAYS OF OUR LIVES in the past two years has been in part thanks to the darkly handsome, virile Hogestyn, who came into Salem to resurrect the role of Roman Brady. With Wayne Northrop happily doing time on DYNASTY, and the fans beseeching the show to have Roman return to Marlena (Deidre Hall), the producers went out and found a replacement. But Drake doesn't see it that way. "I never really thought of myself as taking over a role, because I played five months as John Black before they told me I was Roman," he explains, remembering the time before it was revealed that Roman had not died when he went over the cliff during a fight with Stefano. "That was a popularity contest there, they wanted Roman back," Drake reveals candidly, adding modestly, "I think anyone could have stepped into that role and experienced success because they wanted Roman back and I just happen to be the person they cast in that role. For me to overtake the hurdle of Wayne Northrop, it was a measure of time and a measure of wanting Roman back."
Yes, but what about the popularity and acceptance of Roman without Marlena? Very often in daytime, breaking up a supercouple, like Roman and Marlena, is cause for vehement protest and massive letter-writing campaigns. Yet, the pairing of Roman and Diana (Genie Francis) seems to be a success. How does Drake view this from his unique perspective? "The replacement of Marlena by Genie Francis, as some people call it, wasn't engineered that way. They had her hooked up with Mike Horton (Michael T. Weiss). They were going to wait a couple more months before they hooked me up with a girl, until everyone forgot about the 'M' word - Marlena. But Roman and Diana were received. There were some scenes that were strong right in the beginning. That was an accident. They just threw us together in a couple of scenes and it happened and NBC said jump on it. Let it happen now, we're getting a real big pull in this area so what are you waiting for? Do it. Take 'em to Greece, make 'em fall in love. A lot of time and thought went into the scenes that Genie and I worked up. We could restructure some scenes to get the most out of it - the important moments."
Drake also recalls the audience's displeasure during Deidre Hall's last year. "With Genie coming in, the people, after Roman's absence (and Marlena was gone for a long time before she was gone with OUR HOUSE and the kidnapping and stuff), the general consensus from my mail and the show's mail was that 'All right, you've played us long enough on this one. You've overdone this one. Now it's time to free Roman up and move it on, and if OUR HOUSE collapses and she comes back, we'll welcome her back.'" Drake offers an enigmatic smile and winks. "Or will they? I don't know. There's going to be a die-hard Marlena contingency out there that's going to start writing letters. Oh, baby, you bet!"
What about Drake, does he think Deidre will come back to DAYS? "Well, I'm not really sure. My own gut feeling is no, she won't come back. She's had a long and successful run on daytime and now she has a successful career going and she just finished a movie of the week (with Michael T. Weiss, called ALL MY DARLING DAUGHTERS)."
The other woman in Roman's life, Diana Colville, is played by Genie Francis, and it is evident by Drake's kidding that while they may have different approaches to acting, he gets along very well with his new leading lady. "Genie uses all the actor words. I still don't rehearse, I practice. 'Come on, let's practice.' 'It's rehearse, Drake, rehearse!' 'Oh, right!'" he laughs, revealing a sense of fun and joy in the work that might surprise people who think of him as Roman, the serious cop, Brady. But on the show, Drake's playfulness is appreciated and exploited for the good of the company. "The producers pull a lot of gags on me 'cause they know that I don't get real uptight with too many scenes. No, I'm a dedicated actor and I take a lot of pride in my 'craft,'" he says, making the latter word sound pompous and stuffy. "No, seriously, and I enjoy it a lot, but every once in a while…"
What about the other side of Roman that's rarely seen, the vulnerable, tender side? "Those moments are very few and far between for Roman. There was a moment when he shot a gang member and at that moment, I picked the script up, and I went 'Here's a good beat for Roman.' I said (to myself), 'If you could play this out, if it can be there during tape, it'll be a very strong moment.' I don't know if it's going to be there or not. You can never guarantee it. You try to save it in dress, so hopefully it'll be there in tape. And the moment was there for me, the concentration was strong. I felt it. It was a good scene. I had one when Diana was dying, and I had my prayer to the big coach in the sky, and then I had a moment with Kayla when I realized that it was fear that was keeping me, holding me back, from her."
Since Diana has recovered, she and Roman have seemed to enter a new phase in their relationship, away from their previous phase which was either non-stop fighting or non-stop loving. What's changed? "I think Roman realizes that a lot of the reasons he's been pushing her away, and the combative mood he's had towards her, have been because of a lot of fear in his life of letting himself be close enough to someone other than Doc. In that particular moment, when Diana was close to death, he realized that he does truly love this woman. I think that was the turning point in their relationship."
It would seem inevitable that the lure of films or primetime would strike Drake Hogestyn, who has in a relatively short time as an actor, done remarkably well. "I was involved in a series on CBS called SEVEN BRIDES FOR SEVEN BROTHERS. That was my on-the-job training role. Prior to that my first piece of film was opposite Kim Basinger and Don Johnson in a scene (on MIAMI VICE) which I can say I stole hands-down. (OOPS! This is wrong. It was a scene on a TV series called FROM HERE TO ETERNITY with Kim Basinger and Don Johnson who previously starred on MIAMI VICE, not a scene on MIAMI VICE.) My line was, 'Hey, what the hell is going on here?' And a star was born."
But when asked if he longs to leave daytime and move away from the soaps, Drake Hogestyn is both cautious and realistic. "I haven't really thought too much down the line. People are asking me that all the time, and people are suggesting different things, people are coming up with offers. It's easy to get offers when you're locked into a contract, 'cause you're unavailable, you're very attractive, but as soon as I'm out of this contract, my phone will get a lot of cobwebs. But there's a lot of offers right now that are coming in and I'm flattered by that, but I hope it's because they take me as a serious actor."
"I'd like to keep doing DAYS; I like it. I like hard work. I've always been a creature of that. I like getting up at 4:30 in the morning and coming home at 8:00 (at night), put in the hard work if only I get one good scene a day, then that'll make it worthwhile. It keeps me going. That's nice, but I'd also like to work in a feature, but not just any feature. I want to work in a ten minute scene with a really good director. I'd just like to get some good direction, a couple of good scenes in a real good feature. Good solid scenes and some good direction. I'm not so interested in doing a lead in a film, that kind of stuff, although I do have one that's been offered to me and it may materialize."
The sun is red, painting the sky a myriad of colors, as it fades into the horizon behind Drake Hogestyn. I wondered if he has any regrets, is he ever sorry that his professional sports career didn't work out? Drake Hogestyn fields the question cleanly, and answers sincerely, "I played professional sports for three years with the New York Yankees, in the minor leagues. Nonetheless, it is professional baseball. To put it all into perspective, I had a hard time. I didn't go to any ball games for six years after I finished playing, 'cause it was hard to watch guys I had broken in with who were making it to the major leagues that I thought had a lot less talent than myself. There's a number of players now that are still in the big leagues, but at this point they're thirty-two, thirty-four, in that age, and that's an old man in professional sports. They're calling me now that they're out of the game wanting to know how to get out to Hollywood and get an agent because they miss performing in front of people. It's performing is what it is."
Performing is what it is, and it's what Drake Hogestyn obviously loves to do, whether in the ballpark or every afternoon on your television screens. The New York Yankees' loss, it would seem, has been daytime television's gain.
Allison J. Waldman, SOAP OPERA UPDATE, 9/5/88
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