♥ DAYS Exclusive John Comes Home! The Moment You've Been Waiting For...
Back In Black:
Drake Hogestyn resurrects John for a front-burner tale on DAYS OF OUR LIVES.
In October, Drake Hogestyn told SOAP OPERA DIGEST that John Black had "met his maker" following a hit-and-run. This being Salem, it's no surprise that John is actually alive, and this week EJ finds his father's pawn in the lab in the DiMera mansion. According to Executive Producer Ken Corday, Hogestyn's exit was never meant to be permanent. "I can't lie; it was my plan all along to bring him back," the tricky exec reveals. "We knew in the beginning of October, as the shows were being penned, that he would be back. I had to say the character was dead and I didn't want to parenthetically add, 'for now,' because there would be more emotional impact if we kept it quiet. We didn't tell anybody." So what's in store for John? "There's an entirely new spin on the character and a huge front-burner story for him and Marlena, Bo, Hope, Patch and Kayla all in one. He doesn't know who he is. He's a man without a past and without a memory, like the Pawn all over again. It's as exciting a story as I've ever seen for John and Marlena. From the moment he comes back to the end of February, he's on almost every day."
SOAP OPERA DIGEST: How did your return to Salem come about?
Drake Hogestyn: I got a call from Ken and he proposed a brilliant idea, for me to come back and start over as the Pawn again. It sounded pretty exciting if it was done right.
SOAP OPERA DIGEST: John Black was dead. Did you think you'd get the call?
Drake Hogestyn: No. He had met his maker, Drake Hogestyn had fired his agents, hired new representation and was out doing different auditions.
SOAP OPERA DIGEST: Were you hesitant to come back?
Drake Hogestyn: Hesitant from the standpoint that if the story is not in the right hands, is not written correctly, there is no point. I am very emotionally attached to everything John Black has been through - especially the early years - and to try and go back and capture that and fail? That would be heartbreaking. I had reservations that anybody was capable of writing that kind of story.
SOAP OPERA DIGEST: So are you taking a leap of faith?
Drake Hogestyn: I am putting a lot of trust out there. I love the show; it's what I do. I love the relationship I've had with the audience and that has really opened my eyes here in the last couple of months. A lot of people are still very emotionally attached to this show. There's a way to turn this show around. All we have to do is get it out there on the stage. We have to get it on the page. It has to be strong story that involves the veterans of the show. That's what the audience wants to see. If they can bring that forward, we'll be just fine. If they fail in that attempt, well, we've got a year and I'd (still) like to be a part of it.
SOAP OPERA DIGEST: Were you hoping to play John again?
Drake Hogestyn: I don't think that way. The way the death was presented to me, they didn't know what to do with him. I believe I mentioned before that when you take someone like John Black out of his element, out of the ISA, out of the police, you have him shot by a kid after you have established that he has the ability to dodge bullets, you have his liver removed from him in an incapacitated state, you have him out of a coma and all he wants to do is go home, but you've taken that away from him, too, there wasn't much left. (OOPS! Teehee, this should say "you have his kidney removed from him in an incapacitated state" not "you have his liver removed from him in an incapacitated state." LOL, we think our Hogey had liver on his mind, since a few paragraphs down, he is talking about liver conversions, HA!) The writing was on the wall. So, as an actor, you accept that, realize it for what it is and prepare yourself to move in a different direction. Bitter, no. Confused, somewhat. Consider the source, though (laughs).
SOAP OPERA DIGEST: What was it like for you to be home? What did you do?
Drake Hogestyn: It was spectacular. We have the empty nest at the house. The kids are all out. That means that you can wake up at 7:30, cook breakfast, go to the gym for a fabulous workout. You can come home and read your papers about liver conversions and continue on to a book I'm writing about macronutrient proportions. I had a fabulous time doing that. You can play with your wife all afternoon, get to know her all over again. 0;-) It's been absolutely fantastic. The 'honey do' list was very, very long, but I loved every part.
SOAP OPERA DIGEST: Did you miss acting?
Drake Hogestyn: You miss being productive in a creative endeavor every day. The writing filled that somewhat. Performing has become a passion for me. I realize that. I knew I would get back to it; it was just a matter of time and finding the right project.
SOAP OPERA DIGEST: What can you say about the story?
Drake Hogestyn: The audience is going to want to see this. We're going back to the beginning. When I left, I said to Ken, 'It's a damn shame that we're never going to find out what John Black was all about in the first place. From Miami to Salem to the ambulance accident, to rolling into town, to having Patch take him, to ripping off the bandages, nobody knew who he was. What was the mission? What was the ultimate goal? Never got there. Had a few good stories, got sideways quite a bit and then crashed and burned this last year and a half. I don't know who this guy is anymore. Don't even like him.' But this is a story the audience is going to want to see. We're going to tell it and hopefully, tell it right. I can only do what I can do as an actor, which is come as prepared as I can every single day. And bring a lot of intensity and truth to every scene. It's up to the writing. It's all in the writing.
SOAP OPERA DIGEST: Has John changed? Have you changed?
Drake Hogestyn: Yes. I have been studying my ass off with a coach named Steven Anderson, stripping away twenty-two years of soap opera indicators that the audience knows. John now has different mannerisms. He has different speech patterns. He doesn't have an eyebrow. He doesn't have a squint. I found an acting coach that I can click with. I was telling Steven, 'I have been selling soap opera, by God, and I think I sell it good. I know how to do that.' It's been quite an experience for me. I really embraced it.
SOAP OPERA DIGEST: What was it like to be back on set that first day?
Drake Hogestyn: Interesting. The cast and crew were more confident in my return than I was and I found that interesting. Nobody likes to get fired. I've never been fired before. I've been released in baseball, but I sucked. I saw that coming. The slow fade that was John Black in the last year and a half, you could see it coming. That the rest of the cast and crew couldn't, well, God bless 'em. I love 'em; they're optimists (laughs). They've seen these things turn a corner and people come back from the dead, but that was not the way I was playing it.
SOAP OPERA DIGEST: What was the fan reaction in your absence?
Drake Hogestyn: I was just amazed at how many people watch this show. I literally mean that everywhere I went in the last three months, people were like, 'I can't believe they killed you off. I keep thinking you're coming back.' Lately, it's been, 'We saw Rolf in bloody scrubs. Please tell me you're coming back.' I had talked to the publicity office and they told me I wasn't in any scripts in January. I had a personal appearance and I told them that. Now legally, I was still under contract through the end of December, so yeah, they could have brought me back as a ghost or whatever, but I hadn't heard anything.
SOAP OPERA DIGEST: Are you looking forward to the fans knowing you're back?
Drake Hogestyn: I am elated to tell them that I'm back. The fans drove the bus on my return and Ken listened to them and came up with a brilliant story and we're all excited about bringing the fans back. I take my return here very, very seriously because, as I've always said, that name can slide off the dressing room door. It can, at any point. But I will not disappoint.
Stephanie Sloane, SOAP OPERA DIGEST, 1/8/08
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