♥ Undying Love: DAYS' Kristen And Marlena Offer Body And Soul In Last-Second Bid To Save John's Life... DAYS' Drake Hogestyn Prepares For His Television Execution: "Heroes Always Come Close To Dying"
The Sentence Is Death But DAYS' John Black Is A Fighter To The End:
"I, Justice Andrew Walker, find you, John Black, guilty of murder in the first degree."
"It is the sentence of this court, which will be the maximum the law provides, that you will be taken from here to your cell and remain there for forty-eight hours, after which time you will be taken to the gas chamber where sentence will be carried out. That sentence is death."
As John Black awaits his death trip to the gas chamber on DAYS OF OUR LIVES, the two women who love him go all out to save his life.
Kristen frantically tries to rouse Father Francis from his coma, but she's unable to get the answer she seeks. And Marlena continues to play her seductive role with Stefano DiMera, battling in vain to get her hands on Tony's diary. A call from the governor with a stay of execution offers hope - until Stefano works his evil wiles.
Judge Walker overrules the stay, giving in to pressure from a vengeful Stefano.
Finally time runs out, John Black must surely die as deadly fumes begin to rise in the gas chamber.
How did actor Drake Hogestyn (John) prepare for this grim moment? "Heroes always come close to dying," Drake laughs.
One example: Remember that at Maison Blanche, Stefano held John in the dungeon, where he was starved, taunted and drugged. "But he never let Stefano defeat him," Drake says. "Mentally, John never gave up."
When Marlena was possessed by Satan, John triumphed over another potent adversary. And when the Houdini watertank trick went awry, John refused to give up, struggling to free himself while others came to his rescue.
Now he faces the gas chamber. "It feels like a conspiracy," Drake sighs. "It's as if every stone unturned has my name on it. All I can do is insist on my innocence."
"John is frustrated by his lack of control," Drake adds. "He's without his resources. He knows he's innocent - but it's impossible to prove."
For most of the trial, and even after he was sentenced to death, John "maintained hope that something would change, that justice would prevail," Drake contends. "He had strong faith truth would surface."
The actor points out that "every time you drive to work, you never think you might have a fatal accident. When it happens, you deal with it only in that instant, in that moment."
Although John holds on - even when deadly gas pellets drop - because "false hope is better than no hope," he begins to accept the reality of his fate during a visit from his children, Belle and Brady, says Drake. He has to prepare them for what's likely to happen.
"He uses that meeting for closure with them," the actor explains. "John realizes that things aren't likely to change in two hours. He starts to prepare himself for what seems inevitable."
"He makes peace with himself, admitting that there are injustices in this world," Drake adds. "He's a fighter - but also a realist."
Not until the pellets actually fall does the shock set in. "Death is coming," Drake exclaims. "What a travesty! How could this happen? Everything he's believed in has failed him."
Is it true that Drake declined to see the film DEAD MAN WALKING because he didn't want to be influenced by Sean Penn's execution scene? "Sort of, but it was different in the movie," Drake says. "It was lethal injection there. Also, the guy was guilty."
And in the film, the condemned man had a compassionate nun (Susan Sarandon) visiting him, while John's female guest, his passionate lover Kristen, sometimes wore flimsy lingerie.
Drake says he enjoys bringing a visceral sense and great visuals to his roles. While chained in the Maison Blanche dungeon, for example, he lost a lot of weight and let his hair and beard grow. For his execution, he reveals, he wanted John's head shaved - but producers nixed the idea. "It would have been a great dramatic moment," Drake laments, although he admits to a split second of insecurity. "I had the fleeting thought: 'What if they really do kill John?! Maybe that's why they don't want to shave my head! They don't want to make me go to job auditions bald!'"
"I'm very fortunate to be here," he's quick to add. "Very lucky - and I truly enjoy what I'm doing."
Drake says some of his paranoia might have come from a story castmate John Aniston (Victor) told him. John said that on a soap he'd been on, three characters were lost in the woods. One actress asked the writer how the scenario would end. Pressed for a reply, the writer finally hedged: "Three people go in. Two come out." That was how she learned she'd be off the show.
Drake is hoping there are enough John Black story threads still hanging that the writers will provide a miracle rescue.
Besides, he'll take a cue from his character. John Black always comes close to death and never gives up hope.
Julia Roberts Got Lucky In Same Gas Chamber:
John Black sits in the gas chamber, waiting for the pellets to be dropped. They will release their lethal fumes and bring death within minutes. As his life passes before his eyes, could he be picturing who's been in this same spot before him?
Remember Julia Roberts awaiting execution in THE PLAYER - and Bruce Willis running into the gas chamber to rescue her at the last possible second? According to Tom Early, DAYS' assistant art director, John's gas chamber was rented from Universal's scenic dock - and it's the exact same one used in Julia's movie.
Tom says he also checked photos of San Quentin's gas chamber, among others, to add to the set's authenticity. "The gas chamber was fun," he says. "I mean, the research! It's rather ghoulish, but you learn a lot."
One thing Tom did change was the witnesses' observation area. In reality, the prisoner's entranceway is separated from the witnesses. But John is led past people and has contact with them.
One other irony: The chandelier used in the Cayman Island bank scenes appeared in the 1958 Susan Hayward movie, I WANT TO LIVE, which was also a gas chamber film.
Lorraine Zenka, SOAP OPERA MAGAZINE, 2/27/96
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